Rumah Gadang is one of
Minangkabau's symbol, the most common housing forms have
traditionally been wooden and raised on piles, built of locally
gathered materials, with steeply pitched, roofs. Their culture is
matrilineal, with property and land being passed down from mother to
daughter, while religious and political affairs are the province of
men. The Minangkabau are strongly Islamic, but also follow their own
ethnic traditions, or adat. Minangkabau adat was derived from
animistic and Hindu beliefs before the arrival of Islam, and
remnants of animistic beliefs still exist even among some practicing
Muslims. As such, women are customarily the property owners;
husbands are only tolerated in the house at certain times and under
special conditions, and must return to their sisters' house to
sleep.
The external walls of a rumah gadang are covered with various
motifs, each having a symbolic meaning. A communal rumah gadang is a
long house, rectangular in plan, with multiple gables and upsweeping
ridges, forming buffalo horn-like ends. They normally have
three-tiered projections, each with varying floor levels. They are
broad and set on wooden piles that can reach as high as 3 meters (10
feet) off the ground; sometimes with a verandah running along the
front face of the house which is used as a reception and dining
area, and as a sleeping place for guests. Unlike the Toba Batak
homes, where the roof essentially creates the living space, the
Minangkabau roof rests on conventional walls. Cooking and storage
areas are often in separate buildings.
The house is largely constructed of wood; an exception being the
being the rear longitudinal wall which is a plain lattice woven in a
chequered pattern from split bamboo. The roof is of a truss and
cross-beam construction, and is typically covered with thatch from
the fibre of the sugar palm (ijuk), the toughest thatch material
available and said to last a hundred years.The thatch is laid in
bundles which can be easily fitted to the curved, multi-gabled roof.
Contemporary homes, however, are more frequently using corrugated
iron in place of thatch. Roof finials are formed from thatch bound
by decorative metal bindings and drawn into points said to resemble
buffalo horns - an illusion to a legend concerning a bullfight from
which the 'Minangkabau' name is thought to have been derived. The
roof peaks themselves are built up out of many small battens and
rafters.
The women who share the house have sleeping quarters set into
alcoves - traditionally odd in number - that are set in a row
against the rear wall, and curtained off by the vast interior space
of the main living area. Traditionally, large communal rumah gadang
will be surrounded by smaller homes built for married sisters and
daughters of the parent family. It is the responsibility of the
women's maternal uncle to ensure that each marriageable woman in the
family has a room of her own and to this end will build either a new
house or more commonly additionally annexes to the original one. It
is said that the number of married daughters in a home can be told
by the counting its horn-like extensions; as they are not always
added symmetrically, rumah gadang can sometimes look unbalanced.
Author:
Widya Rosanti
Article Source:
http://www.articlesbase.com/art-articles/the-famous-indonesian-artistic-house-
quotrumah-gadangquot-from-sumatera-285382.html
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